HopeArts

Updates from HopeArts.

  1. Arts Ministry Update

    The bi-monthly 1st & 3rd Weeks Arts Hope Group will INFORMALLY meet at Genuine Joe’s Coffee Shop for December. Same time as regularly scheduled, but without childcare provided.

    December 8th is a new Gallery Reception at Hope Chapel’s Gallery Space, from 7-9 PM. You can find details on Hope.Orgcalendar, and likewise on HopeArts.Org.

    Today’s writing prompt(s) <answer in a reply comment, or on Realm Arts Group in the comment section> : does Art speak beyond languages only to artists, or even to non-artists? Can those who don’t understand art (ie non-artists) still profit from Art?

  2. Women of Hope Retreat 2019

    Women of Hope Retreat 2019, February 22 – 24th @ Jordan Ranch

    Registration has now closed.

    If you are attending this years retreat, “Becoming a Woman of Peace in A Fractured World”, you will receive more information soon. We can’t wait to see how God connects us to each other and to Himself.

    Contact Sara at srising15@gmail.com for questions regarding your registration.

  3. Operation Ankara Child

    This season, Hope Chapel would like to bless our worker’s local church in Ankara. The children’s classrooms were flooded and much of their supplies and furnishings needed to be discarded (not unlike our own kids wing!). Please consider making a donation to cover costs of refurnishing the rooms with crafts and supplies, rugs, a new coat of paint, and storage furniture. We would love to raise $1000 to cover all these costs! Thank you so much for your generosity.

  4. Art Topic: “Art-ing”

    In our last Art Topic we broached the question of the relationship between Art and Worship, and whether art alone led to worship, or if worship could lead to art, and just what if anything could be meant by “art-ing” (or, “art-ifying”).

    We are told to submit our bodies as living sacrifices, which is our holy and pleasing form of worship. No where are we told in scripture to “make art,” and scripture only seems to discuss artisans and craftsman  in the fashioning of the ark of the covenant or the temple (but not as in any other role within temple worship). This assumes artisans and craftsmen had places within the community, and that such places were assumed natural.

    But here is a question: the artisans and craftsmen were given a mandate in the fashioning and building of the temple, yet the new temple is the Body of Christ, what is the mandate for artists today in fashioning and building the new Temple?

    What art leads one to worship God? What subject matter? In what manner do we, through “art-ing” make art in a way which is holy and pleasing “art-ing”?  What does “art-ing” in general look like — does it go beyond making a piece of art in a certain way, and found manifestation even in how live our lives and perform our tasks? If so, a Christian aesthetic comes into play, right, an aesthetic which is applied not to a piece of art but to how an artist lives their lives and performs their tasks? What “materials” are used in “art-ing” in life? Faith? Fruit of the Spirit (love, joy, peace, patience, kindness, goodness, gentleness, self-control, not keeping records of wrongs or coveting but trusting and believing)?

     

  5. Art Topic: “Art and Worship”

    In the course of a discussion with an arts pastor friend of mine the claim was made that all Art leads to worship, and it is a question really only of that to which we are lead to worship — God, or other.

    The thought bears a great deal of chewing for any artist. Through the ensuing discussion other questions were raised: can Art itself be worship; does worship ever lead to Art? The discussion stopped at this point to delve into the definitions of “Art” and “Worship.”

    At the risk of appearing to needlessly ask tired questions, either through rhetorical device or for which we have little practical need to ask, Today’s Art Topic would initially want to consider the questions of those definitions, what are Art and Worship? It is arguably safe to say we as artists never actually leave off  from answering this question. More saliently, it could be said that never leaving off from answering (from being within or doing the activity of answering) those questions is in part what it means to be an artist, and notably a Christian artist.

    Abraham, in a moment, was asked to sacrifice his only son, the son of promise, and that a moment of believing in God (to be able to raise Issac from the grave if necessary to honor the promise) was credited to Abraham as righteousness. In the Christian scriptures we are told to “offer [our] bodies as living sacrifices, this is [our] holy and pleasing spiritual act of worship”. Elsewhere we are told to “love the Lord our God with all our heart, with all our strength, with all our mind, and Christ himself said that was the greatest commandment, the second unto it being to love our neighbor as ourselves.

    Unlike with Abraham’s singular act (which occurred over the course of a few hours), our spiritual act(s) of worship (as believers) seem to be ongoing, continual even, albeit perhaps continual across numerous instances specifically (as, in general, as we seek life, and Life). Put differently, submitting our bodies as living sacrifices is a continual act. Experience tells us that, as parents trying to follow the Lord and to raise our children in the knowledge and admonition of the Lord we are repeatedly “offering our children” (back) to the Lord, or, rather, are seeking His direction continually with what He would leads us in doing with His children He has entrusted to us. Again, continual action.

    Putting a fine point on it, worship thus understood never stops. Worship is not (merely) singing songs, hymns, and praises on Sunday. And singing songs and praising are but one manner of worshiping (whereby notably we are submitting our bodies in a traditionally artistic way).

    If worship is a continual, ongoing act, then what is “art-ing”? Can “art” be a continual act, as worship is a continual act — could “art” ever be a verb? We use the term “creating,” and we are arguably creating just as continually as we are worshiping when we create (or worship, respectively).

    So, let me just make the personal claim here (and stop pedagogically seeding the flower bed for that claim) which I want to make. L’Engle brings up the young virgin Mary, asked to bear the seed and bring to life the person of Christ. L’Engle goes on to draw the similarity of the artist to Mary, saying that the Story we tell as a writer (or visual artist, or sculptor, or weaver, ect.) comes to us, asking us to perform artistic midwifery and give it “incarnation.” And like with Mary, we artists have the choice to serve it or not. We never stop being parents / artists, and we repeatedly as parents / artists are giving the children with whom we are entrusted back to the Lord. And, sometimes we are asked, as Anne Lamott is found of saying, “to sacrifice our darlings”.  Earlier before this reference to Mary, L’Engle discloses how everything she does flows out of her nature as a Christian and as a writer, and verily speaking, we Christian artists are adopted children of God and new creations in Christ, invested with the Holy Spirit causing us to will and to desire (thus to create) according to His good pleasure (if it is to the spiritual nature submit).

    So I ask again, what is the relationship of Art to Worship? What is the profound calling to which we are called as artists? As worshipers and as the redeemed?

    Afterthought: {and, also, a digression from the above}

    In the truest philosophical senses, an “argument” can easily be made for the case that, as God’s creation we are His art, creating ever continually within an ever continually creative creation (which is that of Creation), ergo, we are art and are always creating, always “art-ing”. Art, in this philosophical argument, is a state of being, just as worship is a state of being, that is, when we participate in being (according to the spiritual nature), and when we don’t (according to the flesh).

     

  6. Art Topic: “Burt Reynolds is Dead”

    Burt Reynolds is dead…

    https://open.spotify.com/user/…

    Burt Reynolds is dead … and I am listening to an utter stranger’s Southern Gothic playlist on Spotify. Since Sunday of Labor Day weekend my time has been spent revolving around the “Christmas in July” play (penned by our very own Dennis O’Donnell), and it’s final tech week preparations. On the ride into the church building from my suburban home I’ve listened to a podcast on Christian and Pagan reliquary given at the Met. Museum of Art, and another podcast of an introductory lecture on Plato’s aesthetic notions by an Oxford professor.

    Burt Reynolds is dead… I am listening to an absolute stranger’s Southern Gothic playlist… and (oddly even to me) this all seems to make some sense that I would write Today’s Art Topic, despite it having nothing to do with such a context — while nonetheless being crafted in the midst of it all. There just is … something… about the irrelevancy of it all to the topic: the relationship(s) of ourselves to Art, and of ourselves to creating/creation (of works).

    What does it mean, what does it look like to be “charitable” towards an artist and their work? What does it mean to “be the Body of Christ” to the artist, to an artwork, to creating, to Art itself?